DURAND CLAUDE Debussy La Cathedrale Engloutie For Piano. Be the first to review this product. CA$ Out Of Stock. SKU. Catalog #: . Jiri Kylián’s ballet is set to a composition by Claude Debussy which was inspired by a fifteenth-century Breton legend. This tells how a cathedral was built on a. La cathédrale engloutie. (). by Claude A Debussy, Colin Matthews. Description: Debussy, orchestrated by Colin Matthews; Duration: 5; Genres: Full.

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John Carpenter used it as sound track in his scifi movie Escape from New York. Sounds can be heard of priests chanting, bells chiming, and the organ playing, from across the sea. Claude Debussy, piano complete Paris: He does so and she turns into a mermaid. Please help improve this section by adding citations to reliable sources. The form of the piece can be traced through the progression of tonal centers and pitch collections. Editor Pierre Gouin – Contact. This is quite different from simple melodic doubling, like the 3rds in Voilesor the 5ths in La Merwhich are not usually heard alone without a significant accompanimental figure.

The Thematic Process in Music. LMC issued shortly after this score is a critical edition by James Briscoe on which copyright is engloktie. Preludes by Claude Debussy compositions Music based on Engluotie myths and legends. This file is part of the Sibley Mirroring Project. In this piece, Debussy composes the music using motivic development, rather than thematic development.

Ys becomes submerged in the sea. First, it brings back material from the middle of the A section, again centered on Cbut now in c minor.

La cathédrale engloutie – Wikipedia

Kate Cook, Musical Style and Genre: Javascript is required for this feature. Arranger Arthur Hartmann In some versions, Princess Dahut holds a secret banquet for her lover and the two, drunk with wine, steal the key from her father and open the gates, letting the waters flood in. This mode holds until measure 7, beginning a short section using the same mode now in C.


Creative Commons Attribution Non-commercial 3. It is a complete exploration of chordal sound that encompasses the entire range of the piano, and that includes one of Debussy’s signature chords a major tonic triad with added 2nd and 6th scale degrees. Shin-Itchiro’s Sheet Music Library.

A quintessential example of musical impressionismthe piece depicts the rise of a cathedral from the water and subsequent return to the depths — complete with bells chiming, priests chanting, and organ playing.

These chords bring to mind two things: Cambridge University Press, For example, motif 1 appears in the bottom of the right-hand chords on the 2nd, 3rd, and 4th quarter notes of measure 14 D-E-Band again in the next three quarter note beats D-E-B. A voice called out to throw his sinful daughter into the sea or he would not escape the waters that were about to overtake him.

Préludes, Livre 1 (Debussy, Claude)

I provide the original scanned version and the filtered, because the filter does some changes smoothening, sharpening borders and some portions of the scan get lost sometimes when they are too small engliutie.

Sections of Debussy’s piece are also used in the introduction and final of Renaissance ‘s song At the Harbourfrom their album Ashes Are Burning.

This page was last edited on 21 Decemberat This file is based on high-resolution images obtained from the source using a method explained on this page. The melodic statement here in C major is the climax of the piece.

Unsourced material may be challenged and removed. Inexact parallelism can give a sense of tonality, while exact parallelism can dispel the sense of tonality as pitch content cannot be analyzed diatonically in a single key. In andClaude Debussy wrote a series of 12 preludes for solo piano. This piece is based on an ancient Breton myth in which a cathedral, submerged underwater off the coast of the Island of Ysrises up from the sea on clear mornings when the water is transparent.


The nearly symmetrical form of intro-ABA-outro helps illustrate the legend that Debussy is alluding to in the work, and his markings help point toward both the form and the legend. It was arranged for orchestra by Leopold Stokowski as The Engulfed Cathedral and released in a recording in Finally, the cathedral is gone from sight, and only the bells are heard, at a distant pianissimo.

Debussy quite often named his catedrale with the exact image that he was composing about, like Cathwdrale MerDes pas sur la neigeor Jardins sous la pluie. This section does not cite any sources. King Gradlon escapes and takes refuge in Quimper which becomes the new capital. Another related legend says that when Paris is swallowed, the city of Ys will rise again. The next section is a subset of A, noted as c in the timeline.

After three bars, it modulates to Eb pentatonic, continuing the same thematic idea, again for three bars. The rising pentatonic theme in measure 1 theme 1 repeats in measure 3, 5, 14, 15, 16, 17, 84, 85, and with a slight variations in measures and Isao Tomita arranged the piece for electronic synthesizer as part of his Snowflakes Are Dancing recording of — Editor First edition enggloutie.

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