Documents Similar To JEPPESEN the Style of Palestrina and the Dissonance. Christensen Partimento. Uploaded by. Jaume Bordas. Laborintus II (Luciano. and the Dissonance. Knud Jeppesen lenhesen The Style of Palestrina. In his introduction to this book, Edward J. Dent describes Palestrina as “a composer who. Author Knud Jeppesen proceeds to explore Palestrina’s music in of the evolving concept and treatment of dissonance before Palestrina.
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Completing primary education inhe first worked in Elbing and Liegnitz Eastern Germany as an opera coach and conductor.
The Style of Palestrina and the Dissonance : Knud Jeppesen :
He also wrote cantatas, organ music, and an opera, Rosaura, which was performed by the Royal Danish Theatre on September 20, Advanced Book Search Browse by Subject. This page was last edited on 3 Decemberat Jeppesen’s early efforts at composition were poorly received and he turned away from composition inonly to resume after a fifteen-year hiatus. Retrieved from ” https: Pzlestrina up to receive offers and updates: Contents in Fine Like New condition. Previous owners name on inside of front cover.
Knud Jeppesen 15 August in Copenhagen — 14 June in Risskov was a Danish musicologistcomposerand writer on the history of music.
In White, John David. Jeppesen demonstrated early musical talent at age 10 when he was first encouraged by Hakon Andersen and Paul Hellmuthalthough he was largely self-taught. Showing best matches Show all copies. He found employment in Berlin inbut returned to Denmark palewtrina of the outbreak of war.
Inhe was appointed to the new post of professor of musicology at Aarhus Universitywhere he founded in an Institute of Musicology which he directed until He is known for well-crafted songs set to Danish texts, church music, and motets. Jeppesen’s name is invariably associated with the study of musical counterpointparticularly in the style of Palestrinaof whom he was the leading scholar of his day.
Stephens church from to and at the Holmen church from to The ‘Palestrina style’ now serves as a basis for the teaching of Renaissance counterpoint.
Among his accomplishments were the discovery of ten previously unknown masses by Palestrina in The Polyphonic Vocal Style of the Sixteenth Century has been a standard textbook since its appearance in German and Englishand remains in print today the third and final edition remains untranslated. Ships with Tracking Number!
The Style of Palestrina and the Dissonance: Book: Knud Jeppesen
His published writings mostly regard music by Italian and Danish composers from the sixteenth and seventeenth centuries. Binding tight and pages clean and bright. Book is in Very good condition thorughout. Paperback, Fine reprint of edition; pp.
New Music of the Nordic Countries. Covers very slightly nicked at 3 of 4 fore-edge corner tips, o. Following his retirement inJeppesen resided in Italy, enabling him to make several discoveries in Italian libraries culminating in his magnum opus, La frottola —70a detailed study and bibliography of frottolethe leading genre of Italian popular, secular songs in the late fifteenth and early sixteenth century.
No ink names, tears, chips, etc. From Wikipedia, the free encyclopedia. Introduction by Edward J. From to Jeppesen was Nielsen’s closest associate, and Jeppesen wrote several important articles about that composer.
His style incorporates his knowledge of early counterpoint but also the style jeppese late Viennese romantics including Gustav Mahlerto whom jwppesen was introduced by Guido Adler.
He was also a member from of the Italian Accademia dei Lincei.
What makes Biblio different? He passed the organist exam at the Royal Danish Conservatory of music in Sign In Register Help Cart.
Catalog Record: The style of Palestrina and the dissonance | Hathi Trust Digital Library
Jeppesen engaged in much primary research — locating early manuscript and print copies of old scores and preparing editions with annotations and commentary.
Large format paperback, VG. Owing to Hammerich’s retirement, there was nobody on the faculty of the university to examine Jeppesen’s work; therefore, he submitted his dissertation to the University of Vienna, where it was reviewed by Guido Adler and Jeppesen was awarded a doctorate in