Ein Veilchen auf der Wiese stand, Gebückt in sich und unbekannt; Es war ein by Wolfgang Amadeus Mozart ( – ), “Das Veilchen”, K. (). Wolfgang Amadeus Mozart. Das Veilchen, song for voice & piano, K. Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook. Wolfgang Amadeus Mozart: Das Veilchen – Choral collection Mozart / Haydn, vol. IV. Secular choral music for mixed voices. Mozart: 30 Lieder Shop.

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It is a testament to Mozart ‘s prolific nature that his over 30 songs are a mere “blip” in the catalogue of his works–so minor a component of his veiclhen that they are frequently overlooked or ignored. More important than their number, however after all, Henri Duparc achieved fame on the merit of a mere 16 songsis the fact that Mozart’s songs were composed before the great flowering of Romantic poetry and ideology that would bring Germanic song to its pinnacle in the Nineteenth Century.

The remarkable confluence of music and poetry that appeared in the works mozar Franz SchubertRobert Schumannand Hugo Wolf made the diminutive lied a vessel for Romantic outpouring and a unique distillation of veulchen Nineteenth Century spirit. However, often overlooked is the extent to which the Romantic lied was mozarg to a long standing tradition of Germanic song, and specifically the songs of Mozart, Haydnand Beethoven –the authors of the first true masterpieces of the genre.


Though not extensive, Mozart’s song output is extremely various, including songs in German, French and Italian.

They illustrate the breadth of his talent for vocal composition, the cosmopolitan nature of his musical influences, and the degree to which his musical choices were shaped by poetry. Subtle changes of inflection, modality, and vocal contour bring out the tragic irony of Goethe’s ostensibly simple poem and create a psychological mini-drama, foreshadowing the direction lieder composition would take under the influence of a new generation of poets.

Mozart’s two Italian songs, not surprisingly, resemble operatic arias in their style and construction. Whether composing in Italian, German, or French, he managed to highlight the flow, stress, and cadence of the particular text without ever sacrificing his individual melodic gift. Although the French songs were very popular when written, they have since become better-known in German translation. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully.

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Das Veilchen

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Das Veilchen, K.476 (Mozart, Wolfgang Amadeus)

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